Palmer
Palmer has enough emotion, enough drama and enough warmth to keep this movie from feeling too weighty
WandaVision - S1E4: We Interrupt this Program
WandaVision takes a step away from the increasingly familiar sitcom concept and seeks to shine a light on the mechanics of the outside worl
Sigal Avin & Ayelet Zurer: “This is a show that’s going to make you ask yourself questions and look in the mirror and shake you up a bit”
Staff writer Oliver Swift talks to Sigal Avin & Ayelet Zurer about becoming a character, shooting on location, and the duos latest project Losing Alice
iHuman
iHuman is an interesting documentary, but an often unstimulating one
Outside the Wire
Outside the Wire has fallen into the all too familiar, and disappointingly average, genre of a Netflix movie
Hunted
Hunted is the newest original addition to the Shudder library
The Mauritanian
Kevin Macdonald serves up interesting truth-based legal thriller, The Mauritanian.
WandaVision - S1E3: Now In Color
WandaVision’s third episode allows for Olsen’s best performance so far but is also the first of the series to end on a sense of true unease and eeriness
Boys
Walters has found himself with a good concept and sympathetic characters played by talented young actors
Losing Alice
An easily accessible show that is hard not to get engrossed in
WandaVision - S1E2: Don’t Touch That Dial
It is going to be hard to justify waiting a week between each installment if things don’t pick up
The Art of Silence in A FISTFUL OF DYNAMITE
In his latest piece, Oliver Swift examines Sergio Leone’s use of silence as a storytelling tool in A Fistful Of Dynamite.
WandaVision - S1E1: Filmed Before a Live Studio Audience
Phase Four of the Marvel Cinematic Universe begins here
Knuckledust
There’s a lot of ambition here in Knuckledust
The Father
The Father is a brutal look at the effects of dementia, told in a superb manner structurally by Florian Zeller and helped to greatness by Anthony Hopkins
Doctor Who - Revolution of the Daleks
An easy-going sci-fi adventure that certainly feels a notch above most of what has come in recent years
Sylvie’s Love
Eugene Ashe somehow manages to construct a movie that, despite its incessant familiarity, is immensely watchable
Greenland
Surprisingly, the disaster action movie Greenland is not the typically expected Gerard Butler misfire that one has come to expect
The Midnight Sky
The Midnight Sky will undoubtedly remain a blip in Clooney’s career
Songbird
A tiresome and uninspired thriller that only seeks to make the idea of a pandemic laughable