Rebel Ridge
Rebel Ridge pushes and pushes to an inevitable climax and yet still feels refreshing
Rebel Moon: The Director’s Cuts
Snyder’s visual poetry is so powerful, that most of the development comes through the elaborate visual language and sun-drenched shots he fills his movies with
Beverly Hills Cop: Axel F
Beverley Hills Cop: Axel F is a fine and occasionally good endeavour
Hit Man
Hit Man is an entertaining watch for audiences of all kinds.
Rebel Moon – Part Two: The Scargiver
Snyder’s earnestness is so pure that it almost overwhelms the audience with intense emotion
Damsel
Damsel is as empty and flat, and uninspired as a feature of this magnitude could possibly muster
Spaceman
Spaceman asks the viewer and audience to undertake a thoughtful revaluation of despair and fear
Pain Hustlers
The pacing and editing hardly leave Pain Hustlers any room to breathe, overstuffing the narrative to the detriment of depth
Orion and the Dark
Orion and the Dark is a surprisingly mature and thoughtful exploration of social anxiety
Good Grief
Levy crafts an emotionally beautiful and utterly compelling composition in the complexity of grief
The Kitchen
It is with no pleasure that The Kitchen belongs amongst such soon-to-be-forgotten works
Lift
Lift is a horrendous waste of time and resources
Society of the Snow
Society of the Snow is a thematically gripping and visceral experience
Maestro
Maestro ends up feeling like a cliff notes version of two rich and complex lives
Rebel Moon - Part One: A Child of Fire
No one can even match the level of visual and aural artistry Snyder brings
Leave the World Behind
Leave the World Behind is a desperate and tedious examination of the Hollywood ego
Sly
Sly is a documentary that is sanitised above and beyond
The Fall of the House of Usher
The Fall of the House of Usher is a somber and important limited series for the times we are living in.
NYAD
Largely due to the talents behind the camera, what could have been a layered and poignant true story in NYAD becomes an overly simplified and generic feature that fails to have a true bite or leave a lasting impression.
The Killer
The Killer’s exercise in visual and aural precision is one of Fincher’s most outstanding achievements yet.