Terrifier 3
Terrifier 3 is worth checking out if the audience present is interested in some mightily impressive gore
The Exorcism: Cinematic Healing
In his latest essay, Jak-Luke Sharp takes a look at the deeply personal and often haunting look at Cinematic Healing in Joshua John Miller’s The Exorcism
The First Omen
The First Omen is well worthy of the time of every genre fan
Imaginary
Imaginary will undoubtedly be one of the worst films of 2024
Immaculate
Go into Immaculate as naive and ignorant as possible for what might be the biggest surprise and most entertaining horror to be released in the last few years
Night Swim
Night Swim seems to fill that gap of mind-numbing movies that don’t require an ounce of audience participation
The Exorcist: Believer
The Exorcist: Believer is a borderline unwatchable mess
Pet Sematary: Bloodlines
Pet Sematary: Bloodlines never leaves anything for the audience to think or feel on their own
The Nun II
The Nun II is a surprisingly enjoyable entry
Talk To Me
Talk to Me is a film that audiences have been craving in an industry filled with franchise fatigue
Insidious: The Red Door
Insidious: The Red Door is a decent entry that does a nice job wrapping up any loose ends
The Boogeyman
The Boogeyman is yet another piece of Horror not to break any new ground
The Pope's Exorcist
The Pope’s Exorcist only gets better as the clock keeps ticking
Terrifier 2
Terrifier 2 is bloodier, nastier, and more ambitious film than the 2016 original
V/H/S/99
V/H/S/99 is consistently entertaining despite never fully reaching its true potential.
Hellraiser (2022)
Hellraiser is a massive squandered affair
Pearl
Pearl warrants a trip to the cinema just to see the acting talents of lead actress Mia Goth alone
Jeepers Creepers: Reborn
Jeepers Creepers: Reborn, for the most part, succeeds in getting itself back on the wagon
They/Them
They/Them on the outside might seem like it has the potential to be a fun queer slasher, but the reality is sadly much darker
The Black Phone
The Black Phone become one of the scariest studio-driven horror films since Andy Muschietti’s It