Alan Gwizdowksi: “Streaming services have become great outlets for indie movies that otherwise may not have been seen by a broad audience”
Carson Timar speaks with Alan Gwizdowksi regarding his work on Honk for Jesus, Save Your Soul & Players, Paramount Plus, and Streaming Services
Troy Little: “The counterculture anti-heroes were just awful people”
Ewan Gleadow talks to Troy Little about Hunter S. Thompson, sources of inspiration, the Powerpuff Girls, and his latest adaption of Fear and Loathing in Las Vegas
Donald Mowat: “Making films as a makeup and prosthetics designer, all that stuff also comes with being a little bit of a bank manager”
Hair and Makeup Designer Donald Mowat talks to Ewan Gleadow about his work on Dune, working closely with Denis Villeneuve, working with the ensemble cast and his unlikely inspiration
Stephen Moyer: “When somebody feels like they're different, ‘the other’, we're compelled to watch them”
Stephen Moyer talks about his latest role in Last Survivors, the restrictions of COVID-19, finding great characters and challenging the stereotypical view of women in horror
Paula Huidobro – Cinematographer of CODA: “You have to keep at it and eventually it will get better”
Paula Huidobro talks about her work as the cinematographer of CODA, working with Sian Heder, the state of gender equality within the film industry, and the challenges of filming on a boat
Isabel Sandoval: “A lot of minority artists should stop pandering and overexplaining to people”
Nicolò Grasso talks to Isabel Sandoval about her cinematic style, Berlin Venice and Cannes, not conforming to convention and being a beacon of positivity
Paul Hyett: “Above all the visual effects, practical effects, CGI, the most important part is the storytelling, the narrative structure, the characters”
Paul Hyett reflects on the importance of story-telling, the career effects of the pandemic and what horror films have caught his eye lately
Jayne Wisener: “I have always jumped at every opportunity to work in Northern Ireland'“
As supernatural horror film The Heiress goes on digital release from March 15, lead actress Jayne Wiseman talks about her love of singing, coping with lockdown and her new period drama, Glow & Darkness
Chris Bell: “I mean can you think of another job where you can go to work and cry, laugh and be whoever the hell you want to be for that split second?”
Ahead of the release of THE HEIRESS, director Chris Bell talks about familial horror influences, his South London ‘hooligangster’ phase and learning new lockdown skills
Anders Thomas Jensen: “I’ve never done anything like this”
Anders Thomas Jensen talks streaming, COVID, working with Mads Mikkelsen and his latest film Riders of Justice
Lihi Kornowksi & Gal Toren: “Everyone in this society, those who try to make art and dedicate themselves solely to it, are victims in a way”
Losing Alice stars Lihi Kornowksi and Gal Toren talk to Oliver Swift what it was like to work on the new psychological thriller series currently streaming on Apple TV
Candis Nergaard: “It’s rare for me to be scared by horror but the script alone conjured such vivid imagery that I was haunted by it”
Candis Nergaard talks about missing the gym, her cinematic idols, going method, and starring in her latest film The Heiress
Kyle Rankin: “ Filmmaking can’t just be ‘here, eat your broccoli.’ Movies should be fun AND have a reason to exist”
RUN HIDE FIGHT is showing on demand between Friday 5th & Monday 8th of March, as part of the Arrow Video FrightFest Glasgow 2021 Digital event
Sigal Avin & Ayelet Zurer: “This is a show that’s going to make you ask yourself questions and look in the mirror and shake you up a bit”
Staff writer Oliver Swift talks to Sigal Avin & Ayelet Zurer about becoming a character, shooting on location, and the duos latest project Losing Alice
Ian and Eshom Nelms: “Our journey to becoming filmmakers started with a love of cinema and that was fuelled by our mother who is a huge movie fan”
Ian and Eshom Nelms talk to Ewan Gleadow on their journey of becoming filmmakers, working with Mel Gibson and Walton Goggins, and the latest film from the pair directing Fatman
Chuko Esiri and Arie Esiri: “The more I discovered my roots the more I fell in love once more with the place of my birth”
George Lewis talks to Chuko Esiri and Arie Esiri about heritage, shooting on 16mm, London Film Festival and the duos latest film Eyimofe (This Is My Desire)
XIA MAGNUS: “When I set out to do something, I'm always trying hard to do something that feels new to me, that will be exciting to me”
Diego Andaluz talks to director Xia Magnus about film funding, roots in documentaries, horror influences, and his latest film SANZARU
CODY CALAHAN: “I just wanted to do something simple and knew the next movie I did would be heavily character driven”
Cody Calahan sits down and talks to Ashley Robson about the pressures of adapting work for the screen, working with character actors, whats next, and his latest feature THE OAK ROOM
10 Questions with G-HEY KIM
Ahead of the FrightFest World premiere of DON’T CLICK, director G-Hey Kim talks about the challenges of making her debut feature
RJ MITTE: “I find that we all have an obligation if we are in the public eye to our community, to our environment, and to raise awareness for others who cannot”
RJ Mitte talks to Diego Andaluz about representation of disability on screen, breaking out and transitioning from Walt JR, working with director Cody Calahan and discussing his latest film THE OAK ROOM