Leave the World Behind
Leave the World Behind is a desperate and tedious examination of the Hollywood ego
The Black Phone
The Black Phone become one of the scariest studio-driven horror films since Andy Muschietti’s It
ClapperCast - Episode 114: RRR, Money Heist: Korea, Elvis, The Black Phone & Kimi
On this week of ClapperCast, the team reviews Elvis, The Black Phone and Money Heist: Korea before they look back at some 2022 releases they missed including RRR and Kimi!
The Northman
The Northman delves into a mystical slow-burn, the tension slowly rising as the film pushes on until there is no turning back
ClapperCast - Episode 105: The Northman, Fantastic Beasts: The Secrets of Dumbledore, Up in Smoke & Alina's Birthday
On this week of ClapperCast, the team reviews The Northman & Fantastic Beasts: The Secrets of Dumbledore before they celebrate both 4/20 and Alina's Birthday with special retro reviews for Up in Smoke & Beer for my Horses!
Death by Adaptation - Great Expectations (1998)
In the latest instalment of Death by Adaptation features series, Ewan Gleadow takes apart the 1998 adaptation of Great Expectations
Zeros and Ones
Zeros and Ones is nauseating, with aggressive lighting, a pulsating score, and erratic editing
TIFF 2021: The Guilty
The Guilty is a successful adaptation and remake that will have audiences on the edge of their seats
FIRST REFORMED: How Love Can Comfort in a Dying World
In his latest essay, Carson Timar discusses First Reformed as a powerful exploration of love as a coping mechanism
Tesla
Michael Almereyda is by no means a household name but his latest work, Tesla, is a culmination of the past twenty years of his work
La Vérité (The Truth)
The Truth is a well-executed film equivalent of an onion, at least as far as its thematic composition is concerned