They/Them
They/Them on the outside might seem like it has the potential to be a fun queer slasher, but the reality is sadly much darker
Venice 2022: Bones and All
Bones and All is a strong return to horror cinema for Luca Guadagnino, and Taylor Russell proves once again that she is one of the most fearless and captivating young performers working today.
Venice 2022: Un couple
Un couple is a feminist text through and through, and while it is undoubtedly slow to the point of boredom of many, it is a stark reminder that, sadly, topics like women’s rights and abuse from the patriarchy will never go away easily.
Venice 2022: Bardo, False Chronicle of A Handful of Truths
There are many scenes in Bardo that are truly brilliant and powerful, especially when it focuses on how easily a father can lose touch with his family because of his obsession with work, but its lack of focus and excessive runtime make it a trying viewing experience that would have benefited from losing an hour of fat.
Fall
Fall is a terribly dull survival horror flick that only gets worse
Paws of Fury: The Legend of Hank
Paws of Fury: The Legend of Hank is a highly forgettable animated movie
Venice 2022: White Noise
Baumbach has marked his first truly stunning visual component
Venice 2022: Princess
Princess struggles tremendously to understand its own platform
Bullet Train
David Leitch returns to the world of high-octane action movies with Bullet Train
The Bob's Burgers Movie
In an unpleasant and uncertain world, nothing could be more welcome than The Bob’s Burgers Movie
The Gray Man
The Gray Man simply does not work
The Fire Within: A Requiem for Katia and Maurice Krafft
The Fire Within is a heartbreaking celebration that deserves to be seen and recognized
Here Today
There is something amiss within Here Today
White Elephant
White Elephant feels like an elongated episode of CSI: Miami
Elvis
Visionary director Baz Luhrman takes his cinematic sights on an individual many simply believe cannot and should not be touched
The Black Phone
The Black Phone become one of the scariest studio-driven horror films since Andy Muschietti’s It
Torn Hearts
Torn Hearts plays like a trailer made for television
Vendetta
Vendetta is vaguely palatable
Minions: The Rise of Gru
Due to the lack of expectations in the first place, even for the yellow creatures there is something especially poor about this effort
Dark Cloud
Dark Cloud takes the unreliable, cheap way out