#Alive
#Alive, while not offering enough to earn it a spot in the top class of the zombie genre, presents a familiar yet tense narrative
No Escape
No Escape fails to rise to the films of which it is riffing from
Get Duked!
Get Duked! is destined to become a cult classic
MATTHEW JOHN LAWRENCE: “horror has its own issues but it can serve as such a great platform to tell certain stories that you can’t tell in your typical drama or your typical straight comedies”
Director Matthew John Lawrence talks to Kyle Gaffney about his memories of the video store, The Simpsons, the horror genre, and his latest film UNCLE PECKERHEAD
Uncle Peckerhead
Uncle Peckerhead is a gruesome horror-comedy that manages to balance its tonal shifts
Peripheral
Peripheral is an effective and memorable thriller full of twists and plenty of surprises
The Kissing Booth 2
The Kissing Booth 2 manages to be heaps of fun
BLACKkKLANSMAN: Taking the Power Back
Continuing our SPIKE LEE RETROSPECTIVE in support of BLM, Kyle Gaffney explores the power dynamic used in Lee’s Academy Award-winning BlackKklansman
Brahms: The Boy II
Brahms: The Boy II is a completely vapid and pointless
Steven Berkoff: "What makes Poe elusive is that most filmmakers have not the acute sensibility to capture the finesse"
Steven Berkoff talks to Kyle Gaffney about his fascination with Edgar Allan Poe, turning down Blue Velvet, working with Stanley Kubrick, and his latest film Tell Tale Heart
Steven Berkoff’s Tell Tale Heart
Stephen Berkoff’s Tell Tale Heart is a compelling adaptation of a classic tale of insanity and murder
The Wrong Missy
The Wrong Missy struggles to deliver enough laughs to help it stand out amongst the crowd
TRIBECA 2020 - Ottolenghi and the Cakes of Versailles
Ottolenghi and the Cakes of Versailles from documentary filmmaker, Laura Gabbert is a short yet sweet reminder that art does not have to be limited to a single mode of expression
Dangerous Lies
Dangerous Lies has enough twists and turns to keep most viewers engaged throughout its runtime