Antrum
JINGA FILMSAntrum, written, produced and directed by duo, David Amito and Michael Laicini, is the self-titled ‘deadliest film ever made’. Claiming to be a found footage film that survived from the 1970s, and drawing great inspiration from the found footage horror subgenre, Antrum has a lot to live up to, and even promises death upon the viewer, after the credits roll.
The directors start setting the mood with a ten-minute prologue that truly fosters an atmospheric tone, with a visual waiver to further heighten the anticipation and intensity. Antrum unfolds through superbly crafted filmmaking and skill, both behind and in front of the camera. Its 1970s home video aesthetic , clearly inspired by The Blair Witch Project, is wonderfully captivating and intense throughout. A grainy old 35mm damaged film process encapsulates an immersive experience; combined with a multitude of quick-fire edits and subliminal imagery, engagement is inescapable for the viewer. It seems impossible not to be utterly transfixed with what is happening on screen, subconsciously or not.
The talent in front of the camera is equally as exciting and compelling. Nicole Tompkins and Rowan Smyth lead the cast as Oralee and Nathan, respectively. The pair put forward immersive and well-crafted roles, with great depth and range, to showcase the terror both the characters and audience are witnessing. The depth is a little shallow in terms of a multifaceted characters; however, writer-directors David Amito and Michael Laicini seem to keep it light for a quick and painless exploration of character, and more of a thematic exploration of tone and genre.
While the scares might not be the most significant element, Antrum is nonetheless a thematically eerie and uncomfortable viewing, which excels in tormenting the audience. Coupled with strong cinematography from Maksymilian Milczarczyk, and equally strong score from Alicia Fricker, the mood and atmosphere contribute to an – often than not – palpable energy that makes Antrum stand out from the crowd.