CODY CALAHAN: “I just wanted to do something simple and knew the next movie I did would be heavily character driven”
Cody Calahan sits down and talks to Ashley Robson about the pressures of adapting work for the screen, working with character actors, whats next, and his latest feature THE OAK ROOM
PAUL HYETT: “I actually get upset when a film comes to the cinema that costs around four or five million to make and is a really good, intelligent, adult drama but doesn't do well”
Director Paul Hyett sits down to talk to Ashley Robson about COVID-19, the independent market, streaming giants, and his latest mind-bending horror PERIPHERAL
You Should Have Left
The difficulties of finding a balance between a coherent feature film and staying true to all aspects of the literature are evident
The Rental
The Rental is a film with dedication taken in both the script and the production
Keola Racela: "Does the devil ever really go out of style?"
Director Keola Racela talks to CLAPPER about the 1990s, exploding testicles, faith and the devil in his latest feature Porno
David Amito and Michael Laicini: "We figured, if this was something that got us going hopefully there are others out there who’d feel the same way about it"
Directing duo David Amito and Michael Laicini talk to CLAPPER about 1970s cinema, Horror, audience reception and if Antrum really is the deadliest film ever made
Antrum
Antrum is a thematically eerie and uncomfortable viewing, which excels in tormenting the audience with delightful consequence
Donta Storey: "This was something I felt I had to do - it's my story"
Rising talent Donta Storey talks Compton, being a person of colour in the industry, directorial short debut LiME, and the future