Wicked Little Letters
Sharrock's Wicked Little Letters is another entry into her growing operandi of feel-good dramas
Rebel Moon – Part Two: The Scargiver
Snyder’s earnestness is so pure that it almost overwhelms the audience with intense emotion
The First Omen
The First Omen is well worthy of the time of every genre fan
Imaginary
Imaginary will undoubtedly be one of the worst films of 2024
I.S.S.
I.S.S. has no reason to care about or watch such a venture that feels so ordinary and flat
Civil War
It’s truly hard work to find the thesis or abstract of Civil War from director Alex Garland
Godzilla x Kong: The New Empire
Godzilla x Kong: The New Empire is the ugliest and emptiest film of the MonsterVerse so far
Road House
Road House is nothing short of wild and genuinely perplexing to see develop
Ricky Stanicky
Not only is Ricky Stanicky deeply unfunny but it’s also deeply unlikeable
Challengers
Challengers is the first true cinematic masterpiece of 2024.
Ghostbusters: Frozen Empire
Director Gil Kenan loves the quirky, so naturally, Frozen Empire works best when it leans into it
Immaculate
Go into Immaculate as naive and ignorant as possible for what might be the biggest surprise and most entertaining horror to be released in the last few years
Damsel
Damsel is as empty and flat, and uninspired as a feature of this magnitude could possibly muster
Bob Marley: One Love
One Love is flat, uninspired and, quite frankly, uninterested in developing a visual style from arguably one of the most striking iconographies in music
Spaceman
Spaceman asks the viewer and audience to undertake a thoughtful revaluation of despair and fear
All Of Us Strangers
The final minutes of All Of Us Strangers seem to be what makes or breaks the film
Dune: Part Two
Dune: Part Two is a staggering cinematic achievement
Kung Fu Panda 4
With Kung Fu Panda 4, DreamWorks continues to dazzle visually and thematically
Drive-Away Dolls
Drive-Away Dolls shines
Pain Hustlers
The pacing and editing hardly leave Pain Hustlers any room to breathe, overstuffing the narrative to the detriment of depth