The Brutalist
The Brutalist is a brilliant film that deserves to be seen in the cinema
The Surfer
The Surfer follows in the great tradition of Outback thrillers
Presence
Steven Soderbergh is one of the great experimentalists in Hollywood
Twisters
Twisters is a perfect showcase of the bad contemporary Hollywood blockbuster
Kinds of Kindness
A series of dark vignettes that ponder on what it means to be human
Bad Boys: Ride or Die
Bad Boys: Ride or Die is a good time worthy to be experienced on the big screen with a crowd.
The First Omen
The First Omen is well worthy of the time of every genre fan
All Of Us Strangers
The final minutes of All Of Us Strangers seem to be what makes or breaks the film
Dune: Part Two
Dune: Part Two is a staggering cinematic achievement
Berlinale 2024: I Saw the TV Glow
I Saw the TV Glow is one of the most important queer films to come out in the past few years
Berlinale 2024: A Different Man
A Different Man is downright ingenious
Berlinale 2024: The Visitor
The Visitor turns into a provocative, seductive, and often funny statement against a patriarchal society
Berlinale 2024: Cuckoo
Like the best genre films of the ‘80s, Cuckoo is a set-piece machine
Berlinale 2024: Love Lies Bleeding
Love Lies Bleeding is unashamedly weird, violent, sexy, and hopeful
The Kitchen
It is with no pleasure that The Kitchen belongs amongst such soon-to-be-forgotten works
Lift
Lift is a horrendous waste of time and resources
The Curse
The Curse is outstanding, with career-best work by everyone involved in front and behind the camera
Fallen Leaves
The setting and look of Aki Kaurismäki’s Fallen Leaves is timeless
Maestro
Maestro ends up feeling like a cliff notes version of two rich and complex lives
Afire
Afire is a mirror to every artist out there, with a grotesque reflection that hits deeply and personally