Gazza
Gazza does a good job of transporting a new generation to this horrifying series of developments
The Degrading of Comedy in Uwe Boll's POSTAL
In his latest essay, Ewan Gleadow defends Uwe Boll’s Postal as a work of post-modern comedy
The Unbearable Weight of Massive Talent
The Unbearable Weight of Massive Talent is thankfully more than just a Cage appreciation reel
Chip ‘n Dale: Rescue Rangers
Chip ‘n Dale: Rescue Rangers is the latest bit of cannon fodder from Disney
Last Looks
Loud and messy at the best of times, Last Looks has a notable cast to it but little to offer them or viewers
Senior Year
As disparate and underwhelming Senior Year is, there is a notable swiftness to how it hits all the expected notes of its genre
Sneakerella
There is something within Sneakerella that will certainly connect with a younger audience
Studio 666
As if Dave Grohl’s musical output weren’t scary enough
Castle Falls
Castle Falls is bold enough to start as it means to go on
Operation Mincemeat
Glistening away as he does, Firth is the natural centrepiece for Operation Mincemeat
Marmaduke
Marmaduke looks like a first draft at the best of times
Along for the Ride
The gags, shortcomings and trickery Along for the Ride presents are clear as crystal, and boring too
Agent Game
Agent Game has more progress made than most in this straight-to-video genre
Crisis
Crisis does not have the emotional persona or depth of field to convey anything but awkward riffs
Crime Story
Crime Story is close to competent
The Outfit
The Outfit nails every technical merit it can get its hands on
Sonic the Hedgehog 2
Sonic the Hedgehog 2 is a skilful and respectable feature
American Siege
Who or what does American Siege cater to?
Metal Lords
Rejoice! A film for those that wish to crash the parallel lines of heavy metal and modern audiences
All the Old Knives
All the Old Knives never taps into an emotional core