Jimmy Savile - A British Horror Story
The charitable acts, the good deeds, public life were the smokescreen for utterly abhorrent behaviour
Gasoline Alley
Nothing sets Gasoline Alley apart from all other VOD action-packed features
Gold
Gold is no prize-winner, but it is an opportune, filthy and interesting experience
Big Gold Brick
Big Gold Brick is a feature without interest in its own thought process
Better Nate Than Ever
Better Nate Than Ever is too nice to hate but equally too nice to make an impact
Moonshot
Moonshot? Moonfall? what difference does it make at this point
South of Heaven
South of Heaven is a predictably watchable feature
Deep Water
Deep Water soon becomes intimately uninteresting
A Day to Die
Strikes close to the heart of everything wrong with copy-paste moviemaking
Cheaper by the Dozen
Cheaper by the Dozen is a train wreck spectacle unfurling like no other
Rooney
Rooney documents marriage, failure, professional brilliance and retirement with a scattershot arrangement
Troy Little: “The counterculture anti-heroes were just awful people”
Ewan Gleadow talks to Troy Little about Hunter S. Thompson, sources of inspiration, the Powerpuff Girls, and his latest adaption of Fear and Loathing in Las Vegas
Pursuit
Audiences should be afraid of Pursuit
The Adam Project
The Adam Project is a collection of recognisable faces, safely timed action and dribbling one-liners
Fresh
A lot of Fresh does feel like its namesake
Blacklight
Blacklight is questionable at the best of times
I Want You Back
I Want You Back is a little more than that typical setlist of ups and downs
American Underdog
American Underdog feels almost as dull as the sport it adapts
Munich: The Edge of War
Far too inconsistent to make itself a worthy portrayal of world events
The Ice Age Adventures of Buck Wild
The Ice Age Adventures of Buck Wild are not as wild as some may expect