Brian and Charles
Brian and Charles makes the unbelievable feel ordinary and the oddities feel unfortunately drab
Death of a Ladies' Man
Death of a Ladies’ Man was doomed from the start
Here Today
There is something amiss within Here Today
White Elephant
White Elephant feels like an elongated episode of CSI: Miami
Torn Hearts
Torn Hearts plays like a trailer made for television
Vendetta
Vendetta is vaguely palatable
Dark Cloud
Dark Cloud takes the unreliable, cheap way out
Deception
Arnaud Desplechin’s work is as cluttered and inconclusive as the desk he pans over at the start of his film
Dakota
Dakota joins the insufferable ranks of animal-led features
Here Before
Clumsy is the word Riseborough and company try to work around in Here Before
We Need to Talk
We Need to Talk is a horrific waste of time
The Nan Movie
To live freely is to avoid The Nan Movie
Jennifer Lopez: Halftime
Jennifer Lopez: Halftime is a poorly shot and awfully developed documentary
Norm Macdonald: Nothing Special
Nothing Special serves as a celebration of the life of the late comedian
Umma
The failure of Umma is that it has no faith in the strengths of its dramatic underbelly
Crimes of the Future
Has Cronenberg become a pastiche of himself? Hardly
Cha Cha Real Smooth
Unfortunately, Cha Cha Real Smooth has nothing to do with Mr C The Slide Man
Hustle
Hustle provides Sandler with Sugarman, one of the finest characters the comedian has ever portrayed
Dual
Dual’s wild and unexplainable introduction hopes to showcase a smokescreen of intense and weird surroundings
Memory
Not since Taken has Neeson felt so interesting to engage with