Resident Evil: Welcome to Raccoon City
Resident Evil: Welcome to Raccoon City is a failure
Last Night in Soho
Last Night in Soho is drenched in an intoxicating style
Chaos Walking
Doug Liman is a skilled director, and with Chaos Walking, he manages to take what could’ve been a generic YA film and give it a pulse
Lovers Rock (Small Axe)
Lovers Rock’s biggest strength and biggest weakness is that it leaves one wanting more
Love and Monsters
Despite its numerous problems, Love and Monsters succeeds at being a crowd-pleasing blockbuster
The War with Grandpa
Not the worst film that has been released in 2020, but it just might be the laziest
HIFF 2020: Nine Days
Nine Days is something that everybody needs to experience at some point
The New Mutants
The New Mutants is an uninspired, lazy and uninteresting product
GLASGOW FILM FESTIVAL 2020 - The Long Walk (Bor Mi Vanh Chark)
A genre-bending tale of ghosts, grief, and time travel, The Long Walk is an incredibly ambitious project
GLASGOW FILM FESTIVAL 2020 - 5 is the Perfect Number (5 e il numero perfetto)
5 is the Perfect Number revolves around Peppino (Toni Servillo), a retired hitman who is pulled back into the thick of things after his son is murdered in a hit gone wrong
GLASGOW FILM FESTIVAL 2020 - The Twentieth Century
Visually provocative without being obnoxious, boundary-pushing without being offensive, satirical without being heavy-handed
GLASGOW FILM FESTIVAL 2020 - Supernova
Supernova may be rough around the edges, but the breakneck pacing keeps the tension high and the momentum consistent, making for a satisfying watch
Gretel & Hansel
A visually stunning mess of a horror film
Scared Sh*tless: Why is the Academy Awards Scared of Nominating Horror Films?
Writer Kyle Krieghbaum Takes a Look at Why the Academy Awards are So Scared of Nominating Horror Films
Kyle Krieghbaum's BEST OF 2019
Don't Let Go
Boasting a terrific premise but sticking to a somewhat conventional narrative, Don’t Let Go is an entertaining film that leaves much to be desired
Marriage Story
It is not often that a film comes along that is so achingly authentic, so emotionally moving, so rich in character that it feels less like a film and more like a snapshot of reality
The King
It is not perfect, but its flaws do little to detract from the compelling story at the forefront
21 Bridges
A Frankenstein’s monster of various cop movie cliches thrown together with no rhyme or reason
Noelle
Noelle is an unsatisfying Christmas concoction made up almost entirely of pieces from other better holiday films