The Monkey
An effective and entertaining feature that once again puts Perkins front and centre of the Horror genre as a master of his craft
Gladiator II
Gladiator II seems to strip away so much of Scott’s own thematic and tone of emotive catharsis: be it morality, empathy and the like
The Exorcism: Cinematic Healing
In his latest essay, Jak-Luke Sharp takes a look at the deeply personal and often haunting look at Cinematic Healing in Joshua John Miller’s The Exorcism
Rebel Ridge
Rebel Ridge pushes and pushes to an inevitable climax and yet still feels refreshing
Kneecap
Kneecap have successfully managed to educate, bring conversation and dialogue into the mainstream
Alien: Romulus
Alien: Romulus is best described as a 'best-of' from the franchise
Beverly Hills Cop: Axel F
Beverley Hills Cop: Axel F is a fine and occasionally good endeavour
Horizon: An American Saga - Chapter 1
Costner has put everything on the line to deliver a vision on-screen of not only America, the West but the power and immersion of cinema. Does he succeed?
Boy Kills World
Boy Kills World is an engaging and entertaining rollercoaster ride of thrilling action
Back to Black
Back to Black is a conscience cleaner from the very same people who damned this woman
Psycho (1998): Dissecting the Auteur
In his latest essay, Jak-Luke Sharp takes a look at the maligned remake of Psycho to see what on earth director Gus Van Sant was doing
Kingdom of the Planet of the Apes
Kingdom of the Planet of the Apes is a great entry into a surprising franchise that still feels it has more to give thematically and narratively
Wicked Little Letters
Sharrock's Wicked Little Letters is another entry into her growing operandi of feel-good dramas
I.S.S.
I.S.S. has no reason to care about or watch such a venture that feels so ordinary and flat
Civil War
It’s truly hard work to find the thesis or abstract of Civil War from director Alex Garland
Road House
Road House is nothing short of wild and genuinely perplexing to see develop
Ricky Stanicky
Not only is Ricky Stanicky deeply unfunny but it’s also deeply unlikeable
Immaculate
Go into Immaculate as naive and ignorant as possible for what might be the biggest surprise and most entertaining horror to be released in the last few years
Damsel
Damsel is as empty and flat, and uninspired as a feature of this magnitude could possibly muster
Bob Marley: One Love
One Love is flat, uninspired and, quite frankly, uninterested in developing a visual style from arguably one of the most striking iconographies in music