Bob Marley: One Love
One Love is flat, uninspired and, quite frankly, uninterested in developing a visual style from arguably one of the most striking iconographies in music
Spaceman
Spaceman asks the viewer and audience to undertake a thoughtful revaluation of despair and fear
All Of Us Strangers
The final minutes of All Of Us Strangers seem to be what makes or breaks the film
Dune: Part Two
Dune: Part Two is a staggering cinematic achievement
Kung Fu Panda 4
With Kung Fu Panda 4, DreamWorks continues to dazzle visually and thematically
Drive-Away Dolls
Drive-Away Dolls shines
Pain Hustlers
The pacing and editing hardly leave Pain Hustlers any room to breathe, overstuffing the narrative to the detriment of depth
Anyone But You
Anyone but You is becoming more and more successful with each moment it graces the silver screen
Argylle
Argylle regurgitates a plot that amalgamates every single trope possible
American Fiction
What is considered good representation? That is one of American Fiction’s most pressing questions
Orion and the Dark
Orion and the Dark is a surprisingly mature and thoughtful exploration of social anxiety
Berlinale 2024: A Different Man
A Different Man is downright ingenious
Berlinale 2024: The Visitor
The Visitor turns into a provocative, seductive, and often funny statement against a patriarchal society
Berlinale 2024: Cuckoo
Like the best genre films of the ‘80s, Cuckoo is a set-piece machine
Berlinale 2024: Love Lies Bleeding
Love Lies Bleeding is unashamedly weird, violent, sexy, and hopeful
Madame Web
Madame Web is genuinely embarrassing.
Good Grief
Levy crafts an emotionally beautiful and utterly compelling composition in the complexity of grief
Eileen
Eileen is a terrifically multifaceted and abstract approach in a film that questions itself but the audience’s input and perspective
Wakefield Poole or: How I Learned to Stop Worrying and Love Gay Pornography
In his latest essay, Carson Timar looks at the works of Wakefield Poole and the unique space pornography holds for cinematic gay representation
The Kitchen
It is with no pleasure that The Kitchen belongs amongst such soon-to-be-forgotten works