Deception
Arnaud Desplechin’s work is as cluttered and inconclusive as the desk he pans over at the start of his film
Dakota
Dakota joins the insufferable ranks of animal-led features
Here Before
Clumsy is the word Riseborough and company try to work around in Here Before
We Need to Talk
We Need to Talk is a horrific waste of time
The Nan Movie
To live freely is to avoid The Nan Movie
How CATS Provided an Escape in Lockdown
Cats might not be a largely serious film but its heart blended with camp provided an enjoyable yet meaningful final product
Jennifer Lopez: Halftime
Jennifer Lopez: Halftime is a poorly shot and awfully developed documentary
Umma
The failure of Umma is that it has no faith in the strengths of its dramatic underbelly
Crimes of the Future
Has Cronenberg become a pastiche of himself? Hardly
Alice
Alice is a film at a loss of a clear identity
Cha Cha Real Smooth
Unfortunately, Cha Cha Real Smooth has nothing to do with Mr C The Slide Man
Lightyear
Aesthetically, Lightyear is one of Pixar’s most dazzling productions
Jurassic World Dominion
Jurassic World Dominion proves that the Jurassic Park franchise should be left in extinction
Hustle
Hustle provides Sandler with Sugarman, one of the finest characters the comedian has ever portrayed
Dual
Dual’s wild and unexplainable introduction hopes to showcase a smokescreen of intense and weird surroundings
Memory
Not since Taken has Neeson felt so interesting to engage with
Top Gun: Maverick
Cruise continues his quest of delivering blockbusters of a different caliber
The Unbearable Weight of Massive Talent
The Unbearable Weight of Massive Talent is thankfully more than just a Cage appreciation reel
Chip ‘n Dale: Rescue Rangers
Chip ‘n Dale: Rescue Rangers is the latest bit of cannon fodder from Disney
Men
Alex Garland has the uncanny ability to turn idyllic settings into the grotesque