Venice 2022: Don’t Worry Darling
Don’t Worry Darling is empty at the best of times.
Venice 2022: All the Beauty and the Bloodshed
All the Beauty and the Bloodshed cowers behind its emotional angle
Venice 2022: TÁR
An exceptional discourse on how good artists handle their bad habits
Venice 2022: White Noise
Baumbach has marked his first truly stunning visual component
Venice 2022: Princess
Princess struggles tremendously to understand its own platform
Tick, Tick, Boom!
Tick, Tick…Boom! hits all the right notes
Finch
Audiences at home may not entirely relish the thought, but they are closer to Finch than they think
King Richard
King Richard is effective and emotionally touching
Mayor Pete
Mayor Pete lingers close to being a puff piece or press junket far too often
Home Sweet Home Alone
Seek shelter in the original, and watch the wreckage of Home Sweet Home Alone from afar
Clifford the Big Red Dog
Clifford the Big Red Dog is a dark and lonely time for family entertainment
McCartney 3, 2, 1
McCartney 3, 2, 1 is a fantastic and personal deep dive into the life of one-quarter of the Fab Four
The Harder They Fall
The Harder They Fall is one of the finest modern westerns available
The East
The East does well to connect the bureaucracy with the moral panic deep at its heart
The United Way
The United Way has its work cut out for it
The Velvet Underground
The Velvet Underground is the idolisation process, churned out as a particularly rose-tinted spectacle
The Manor
The Manor is a mixed-up nightmare filled with odd intentions and earnest meanings
Best Sellers
Best Sellers is not going to set the world on fire, but it is going to reap the rewards of consistency
The Beta Test
The Beta Test is another rendition of Jim Cummings typical characteristics, but they are running out of steam
Bingo Hell
Bingo Hell gets a little bingo hectic