Spaceman
Spaceman asks the viewer and audience to undertake a thoughtful revaluation of despair and fear
Good Grief
Levy crafts an emotionally beautiful and utterly compelling composition in the complexity of grief
Eileen
Eileen is a terrifically multifaceted and abstract approach in a film that questions itself but the audience’s input and perspective
Society of the Snow
Society of the Snow is a thematically gripping and visceral experience
Race for Glory: Audi vs Lancia
Race for Glory: Audi vs Lancia fails to entice a type of energy or personification with its material
Cat Person
Cat Person is an engrossing and engaging but flawed venture
Mr. Monk's Last Case: A Monk Movie
Mr. Monk's Last Case: A Monk Movie does more than it could ever have imagined
Ferrari
Ferrari is a ferocious and venomous vehicle
It’s a Wonderful Knife
It’s a Wondeful Knife plays like a incredibly staunch and rudimentary horror
Sumotherhood
Sumotherhood suffices as basic entertainment
Finestkind
The emphasis of Finestkind is clear and admirable but the conviction is a flat, unsubtle and often tonally contrasting
In the Land of Saints and Sinners
In the Land of Saints and Sinners severely lacks a degree of warmth and charm towards the material
Your Lucky Day
Your Lucky Day is a perfect simple exercise of creative writing at its best
The Marsh King's Daughter
The Marsh King's Daughter is a competent effort in crafting a tense character piece but can’t reach that next level
Manodrome
Manodrome is an often dark, dreary and brutal rendition of toxic masculinity
Leave the World Behind
Leave the World Behind is a desperate and tedious examination of the Hollywood ego
Next Goal Wins
Next Goal Wins shows absolutely no visual cinematic or thematic appeal in any frame shown on screen
Rise of the Footsoldier: Vengeance
Vengeance does not disappoint in being entertaining or thrilling
Saltburn
Nothing in Saltburn is remotely daring, new or compelling
Reality
Reality could not have come at a better time for actress Sydney Sweeney